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AUCS is noted for its eclectic and diverse music tastes - we sing everything from madrigals to musicals to Vaughan Williams to pop, and some interesting pieces in between. The music we choose every year will depend on venue, number of choristers, the whims/interests of our musical director and assistant conductor and availability. As AUCS members are from all walks of life, and have different beliefs, ideas, and levels of talent, we switch up the music as much as possible. However, it must be noted that some of the best choral music that we can find has been commissioned by churches, and that will always be of a religious nature. AUCS has no leanings one way or another - we just like nice music!
Absolutely! The University of Adelaide has several choirs within its hallowed halls, and we are the one that is non-auditioned, full of social events (and beer) and we are made up of students and non-students from all faculties and backgrounds. As we are non-auditioned and get together to have fun as much as to sing fabulous music, we only have a few music students (as they are mainly connected with the Elder Con choirs) and a lot of students from Engineering, Arts, Maths, Science, you name it. Anyone is welcome and that includes people who have no previous experience within a choir.
It varies from concert to concert, but generally you need a long-sleeved black top (collared for gentlemen, at least collar bone height for women) and long bottoms (pants or skirt). Details are given for each concert. See the Concert Dress page (visible only to current members).
Rehearsal starts at 7pm sharp with a 10 minute warm up or so, and then music is rehearsed. At roughly 8:30pm, a break ensues where announcements are made by one person on behalf of the committee (so pay attention!) and the esky is opened for the consumption of chocolates and drinks. Rehearsal resumes 10 minutes later and goes til 9:30pm when the choir moves on to "coffee". This is in an ideal world, so be prepared for some interesting interpretations of this timeline.
Coffee is the "social" part of the choir. It alternates between going to a pub for a drink, and going to someone's house for a drink. It's a great way to socialise and get to know other members of the choir better! If you'd like to host coffee at your place, talk to the social secretary (coffee, tea, sugar, milk and cups are provided — all you need to do is make some water hot, and help wash up afterwards and return the coffee set to the social secretary).
A pencil and eraser; money for chocolates/drinks at break; a bottle of water; your music; something to do while note bashing is going on (read a book, do some homework, knit/crochet/cross stitch something, solve the Rubik's cube, but above all keep quiet!); and a sense of humour.
Music is lent free to you as a member of the choir and is managed by the Librarian. It is often handed out over a series of rehearsals at the beginning of the rehearsal period, and may be available on the AUCS website for printing. You need to look after all music and return it promptly after the concert. It is usually collected at the end of the concert so if you know you're not singing in the concert, please return it before then.
The music we use is often borrowed from other choirs around Australia. If we don't return what we borrow, or we return it in poor condition, we risk not being able to borrow music in the future — meaning we'd have to buy it all, and that's extremely expensive! AUCS lends out music all the time and usually gets it back in good condition and time, so hopefully we can continue the theme of goodwill between choirs around the country. Sometimes music is offered for purchase, such as when AUCS wants to purchase a large number of scores for its own library, so keep an ear open for this option as well.
Audrey is our mascot. And she is an auk. A great auk, to be precise. Eaten to extinction. She gets upset when you call her a penguin, which isn't even an auk, let alone a great one. Aucs are nice.
(not necessarily the same thing)
You can ask anyone you like for help – we suggest starting with anyone whose name you remember, or who has said hello to you. There are some fabulous more experienced choristers around who are more than happy to help, or point you to someone who can help. If you have a problem, speak to your Section Leader, or to a Harassment Officer if it's that kind of issue. The Section Leaders and Harassment Officers should be pointed out to you by the president at regular intervals, or else you can quietly ask someone who may know.
Let someone in your section know (preferably your section leader) or write a note on the roll if you know beforehand that you will miss a rehearsal, or else make sure your absence is noted on the roll the week you return. If it's a lot of rehearsals you'll miss (for example, a rehearsal camp which is 4 rehearsals) talk to your section leader.
Unfortunately no. There isn't a huge call for this but if you do, let the editor of our magazine Skwauc, know!
We have two ish musical directors, and they pick it. Blame them for any music you hate. Love them to pieces when they do some music that rocks.
There are song books of the traditionally-sung songs. If you have a new song, bring it up with the musical directors and see when the next "pub song" rehearsal is.
There is no Official Disadvantage to it, but Disadvantage is in the eye of the beer holder I guess, and if you don't go then you won't know what you're missing! It depends also on what you're in the choir for - if you're wanting lots of friends and wanting to do things with like-minded people, then cheap eats and cheap beer is a good way. There are lots of reasons for not going to dinner, and coffee though - work commitments, budget restrictions, busses to catch home, early shifts the next day, early shifts that day so you're exhausted, being on call, whatever, and everyone understands the conflicts, so don't feel obliged! Do ask the Social Secretaries if you need a lift there, or home again.
Keep an ear out for when auditions for the first two are, and when the calls are for the latter two. Auditions are done by the musical directors, and who gets the solos is based on the music being sung, the ability of the singers, and how many are needed... and if you're brave enough, why not try out? It's great experience!